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Pluraleyes 4 manual
Pluraleyes 4 manual






pluraleyes 4 manual pluraleyes 4 manual

Select them both in your timeline, right-click, and select “ Synchronize.” In the menu that pops up, simply make sure to select “ Audio” and hit “ Ok.” A new file will appear in your Project bin that you can drag into your timeline.Īnother option for syncing in Premiere Pro is dragging both your video file and audio file into your timeline and stacking them on top of one another, roughly aligned. Select “ Audio” as your “ Synchronize Point” and make sure to select “ Remove Audio From AV Clip.” Hit “ Ok,” and you’re all done. To do so, click the video file and its corresponding audio file in your project bin, right-click, and select “ Merge Clips.”Ī menu will open up, allowing you to name your newly synchronized clip. If Plural Eyes isn’t in your budget, or if you only have a few clips to sync, Premiere Pro CC offers two different options. As an added bonus, Plural Eyes also can help correct audio drift in your project. Once everything is synced, click Export Timeline and drag the exported project directly into Premiere Pro. If you get a red error, navigate to the “ Sync” drop-down tab and make sure you’ve selected “ Try Really Hard.” Successfully synced clips will show up in green, while clips with errors are red. Next, hit the “ Synchronize” button and watch the program do its thing. To synchronize, simply open Plural Eyes and click “ Add Media” or drag your clips directly into the app. Plural Eyes allows you to import an entire project (clips and audio) and handles the syncing for you. This software makes up for the price with the amount of time and energy you will save - especially if you work in documentaries with long interviews involving multiple camera angles. The best option by far (but with a price tag of $200) is Red Giant’s Plural Eyes.

pluraleyes 4 manual

Your three main options for syncing audio to video are Red Giant’s Plural Eyes software, Premiere Pro’s “Merge” or “Synchronize” options, or the good old-fashioned way of doing it manually. While that’s easy enough to do on set, once you get into post production and are organizing footage from multiple camera angles as well as all of your audio files, syncing can become daunting and tedious. So using an external shotgun microphone and syncing your audio with a slate, snap, or a clap is essential. As you may have experienced, built-in microphones on even the best cameras will never capture sound that’s clean enough for professional work. Recording audio and video separately on set ensures you get the highest quality sound for your project. In the already-tedious world of filmmaking, the technology to simplify this process is invaluable. This is especially true on extensive, multi-camera shoots. Use these techniques to improve your editing workflow.Īs simple as syncing audio to video might sound, this crucial process can be very time-consuming. Keeping your sound in sync with your footage is critical.








Pluraleyes 4 manual